Writing And Cinema

Writing and Cinema PDF
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Author: Jonathan Bignell
Publisher: Routledge
ISBN: 1317879538
Size: 74.10 MB
Format: PDF, ePub
Category : Literary Criticism
Languages : en
Pages : 280
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This collection of essays examines the ways in which writing and cinema can be studied in relation to each other. A wide range of material is presented, from essays which look at particular films, including The Piano and The English Patient, to discussions of the latest developments in film studies including psychoanalytic film theory and the cultural study of film audiences. Specific topics that the essays address also include: the kinds of writing produced for the cinema industry, advertising, film adaptations of written texts and theatre plays from nineteenth century 'classic' novels to recent cyberpunk science fiction such as Blade Runner and Starship Troopers. The essays deal with existing areas of debate, like questions of authorship and audience, and also break new ground, for example in proposing approaches to the study of writing on the cinema screen. The book includes a select bibliography, and a documents section gives details of a range of films for further study.


Writing National Cinema

Writing National Cinema PDF
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Author: Jeffrey Middents
Publisher: UPNE
ISBN: 9781584657767
Size: 59.28 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 276
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A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision


Faulkner And Film

Faulkner and Film PDF
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Author: Peter Lurie
Publisher: Univ. Press of Mississippi
ISBN: 1626743363
Size: 65.71 MB
Format: PDF, Mobi
Category : Literary Collections
Languages : en
Pages : 272
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Considering that he worked a stint as a screen writer, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner’s novels were produced in the same high period as the films of classical Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner’s novels—or the ways in which they ask readers to see as well as feel his world—have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkner’s screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.


Writing About Movies

Writing about Movies PDF
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Author: Karen Gocsik
Publisher:
ISBN: 9780393265231
Size: 33.40 MB
Format: PDF, Kindle
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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The most succinct, practical, and affordable introduction to thinking and writing about film.


Writing About Movies

Writing about Movies PDF
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Author: Karen Gocsik
Publisher: W. W. Norton
ISBN: 9780393664904
Size: 24.81 MB
Format: PDF, Kindle
Category :
Languages : en
Pages :
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The only writing guide a film student will ever need


Looking At Movies And Writing About Movies

Looking at Movies and Writing about Movies PDF
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Author: Richard Barsam
Publisher: W. W. Norton
ISBN: 9780393571943
Size: 19.27 MB
Format: PDF, ePub, Mobi
Category :
Languages : en
Pages : 576
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Looking at Movies is the most effective, engaging, and widely adopted introduction to film analysis available. From its very first chapter, Looking at Movies provides students with all the tools they need to become perceptive viewers of film, including the most sophisticated and seamlessly integrated media resources that are rich with comprehensive analysis and assessment tools ever produced for a textbook in this market. Authoritative, accessible, and of superior value, Looking at Movies offers instructors with abundant teachable resources to help students analyze movies critically and effectively. Writing About Movies offers students two books in one: a handy guide to the process of academic writing and a brief but thorough introduction to the basics of film form, film theory, and film analysis. Written by the director of the Warren College Writing Program at University of California, San Diego, and the authors of the leading introductory film studies text, Writing About Movies is the only writing guide a student of film will need.


The Tenth Muse

The Tenth Muse PDF
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Author: Laura Marcus
Publisher: Oxford University Press
ISBN: 0199230277
Size: 32.14 MB
Format: PDF, ePub
Category : Literary Criticism
Languages : en
Pages : 562
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This book brings together two major strands of research: the exploration of early film criticism and theory and cinema's impact on literary texts, including the work of H.G.Wells and Virginia Woolf. It also offers new research on early writings about film, including the work of the women film critics who rose to prominence in the 1920s, and on film societies and film journals in the period.


The Complete Guide To American Film Schools And Cinema And Television Courses

The Complete Guide to American Film Schools and Cinema and Television Courses PDF
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Author: Ernest Pintoff
Publisher: Penguin Group USA
ISBN:
Size: 26.45 MB
Format: PDF, ePub
Category : Education
Languages : en
Pages : 510
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Choosing the right school for film or television studies is a challenge. You must evaluate everything: location, size, academic opportunities, access to equipment, curriculum, general philosophy, and reputation. In this generous guide, distinguished film teacher and director Ernest Pintoff lists 639 undergraduate and graduate schools in America that offers programs in cinema and television. He details curricular emphasis, facilities and equipment, special activities, degrees offered, and the strengths of individual schools, as well as a glossary of technical terms. Including insider advice on how to get the most out of film school from acclaimed directors such as Paul Mazursky and writers such as Stu Silver, as well as from current students and recent graduates, this invaluable guide will steer anyone who wants to get into filmmaking in the right direction. "Like Dr. Johnson's dictionary, Professor Pintoff's book is a publishing first--all the information that an aspiring film student needs to make an informed decision about his education can now be found between the covers of this book." - Robert Towne, screenwriter "Learning your craft is Priority One if you want to be a filmmaker. This book beckons you to an indispensable first step." - Jack Valenti, President, Motion Pictures Association of America


Adaptation Theory And Criticism

Adaptation Theory and Criticism PDF
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Author: Gordon E. Slethaug
Publisher: Bloomsbury Publishing USA
ISBN: 1623562015
Size: 35.64 MB
Format: PDF, Mobi
Category : Art
Languages : en
Pages : 288
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Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.


Film And Literary Modernism

Film and Literary Modernism PDF
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Author: Robert P. McParland
Publisher: Cambridge Scholars Publishing
ISBN: 144386644X
Size: 54.67 MB
Format: PDF, Mobi
Category : Art
Languages : en
Pages : 255
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In Film and Literary Modernism, the connections between film, modernist literature, and the arts are explored by an international group of scholars. The impact of cinema upon our ways of seeing the world is highlighted in essays on city symphony films, avant-garde cinema, European filmmaking and key directors and personalities from Charlie Chaplin, Sergei Eisenstein and Alain Renais to Alfred Hitchcock and Mae West. Contributors investigate the impact of film upon T. S. Eliot, time and stream of consciousness in Virginia Woolf and Henri Bergson, the racial undercurrents in the film adaptations of Ernest Hemingway’s fiction, and examine the film writing of William Faulkner, James Agee, and Graham Greene. Robert McParland assembles an international group of researchers including independent film makers, critics and professors of film, creative writers, teachers of architecture and design, and young doctoral scholars, who offer a multi-faceted look at modernism and the art of the film.