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Jennifer M. Silva tells a deep, multi-generational story of pain and politics that will endure long after the Trump administration. Drawing on over 100 interviews with black, white, and Latino working-class residents of a declining coal town in Pennsylvania, Silva reveals how the erosion of the American Dream is lived and felt.
"A group of Native American kids from different tribes presents twelve historical and contemporary time periods, struggles, and victories to their classmates, each ending with a powerful refrain: We are still here!"--
The American Indian Movement, founded in 1968 in Minneapolis, burst into that turbulent time with passion, anger, and radical acts of resistance. Spurred by the Civil Rights movement, Native people began to protest the decades--centuries--of corruption, racism, and abuse they had endured. They argued for political, social, and cultural change, and they got attention. The photographs of activist Dick Bancroft, a key documentarian of AIM, provide a stunningly intimate view of this major piece of American history from 1970 to 1981. Veteran journalist Laura Waterman Wittstock, who participated in events in Washington, DC, has interviewed a host of surviving participants to tell the stories behind the images. The words of Russell Means, Dennis Banks, Clyde Bellecourt, Eddie Benton Banai, Pat Bellanger, Elaine Salinas, Winona LaDuke, Bill Means, Ken Tilsen, Larry Leventhal, Jose Barreiro, and others tell the stories: the takeovers of federal buildings and the Winter Dam in Wisconsin, the founding of survival schools in the Twin Cities, the Wounded Knee trials, international conferences for indigenous rights, the Trail of Broken Treaties Caravan and the Longest Walk for Survival, powwows and camps and United Nations actions. This is the inside record of a movement that began to change a nation. Dick Bancroft has been the unofficial photographer for the American Indian Movement since 1970. He has traveled the world to take these photographs. Laura Waterman Wittstock (Seneca Nation), a writer and media consultant, covered the early years of the American Indian Movement as a journalist. Rigoberta Menchú Tum, recipient of the 1992 Nobel Peace Prize, is an activist for indigenous rights in Guatemala.
A history of American Indians, discussing events that characterized the struggles of Native Americans to survive and maintain their homes and traditions in each of six distinct time periods, from 1890 to 1997.
A REESE'S BOOK CLUB X HELLO SUNSHINE BOOK PICKTHE NEW YORK TIMES BESTSELLER 'This book is my story about growing up in a Black girl's body.' From a leading voice on racial justice, an eye-opening account of growing up Black, Christian and female that exposes how white America's love affair with 'diversity' so often falls short of its ideals.Austin Channing Brown's first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, 'I had to learn what it means to love Blackness,' a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert helping organisations practice genuine inclusion.In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America's social fabric and invite the reader to confront apathy, recognise God's ongoing work in the world and discover how Blackness-if we let it-can save us all.'Austin Channing Brown introduces herself as a master memoirist. This book will break open hearts and minds. It's an example of how one woman can change the world by telling the truth about her life with unflinching, relentless courage' GLENNON DOYLE'Most people say, "that books has legs"; I measure the impact of a book by how often I throw it across the room. [Austin's book] has serious wings. It broke me open' BRENE BROWN
"Follow a full Cherokee year of celebrations and experiences of otsaliheliga, or gratitude, for the blessings and challenges that each season brings; complete with the Cherokee syllabary"--
Describes the lives of Native Americans living in Virginia.
We Still Here maps the edges of hip-hop culture and makes sense of the rich and diverse ways people create and engage with hip-hop music within Canadian borders. Contributors to the collection explore the power of institutions, mainstream hegemonies, and the processes of historical formation in the evolution of hip-hop culture. Throughout, the volume foregrounds the generative issues of gender, identity, and power, in particular in relation to the Black diaspora and Indigenous cultures. The contributions of artists in the scene are front and centre in this collection, exposing the distinct inner mechanics of Canadian hip hop from a variety of perspectives. By amplifying rarely heard voices within hip-hop culture, We Still Here argues for its power to disrupt national formations and highlights the people and communities who make hip hop happen.
"A group of Native American kids from different tribes presents twelve historical and contemporary time periods, struggles, and victories to their classmates, each ending with a powerful refrain: We are still here!"--
