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Pp. 9-334 contain 39 chapters, many of which were originally written as individual essays. Citron is a Holocaust survivor from Poland; the foreword (p. 1-5) relates her experiences in 1942-45, when at the age of thirteen she was deported to Auschwitz, then sent to various work camps. In April 1945 she and her mother were placed in a cattle-car transport with ca. 1,000 women, which was bombed by the Allies near Berlin; she and her mother survived, but about 500 women were killed in the bombing. Later she settled in Israel. The chapters discuss issues such as the roots of antisemitism, Christian hatred of the Jews throughout the centuries, anti-Jewish propaganda on the part of the Church, the Nazis, and now the Arabs who aim to destroy the Jewish people and the State of Israel. The indictment is against all of the forces who in the past and in the present have hated the Jews and wished to destroy them. Pp. 335-356 contain 13 appendixes relating to the Arab conflict with Israel.
From the “author to watch” (Kirkus Reviews) of The Five Stages of Andrew Brawley comes an “equal parts sarcastic and profound” (Kirkus Reviews, starred review) novel about a teenage boy who must decide whether or not the world is worth saving. Henry Denton has spent years being periodically abducted by aliens. Then the aliens give him an ultimatum: The world will end in 144 days, and all Henry has to do to stop it is push a big red button. Only he isn’t sure he wants to. After all, life hasn’t been great for Henry. His mom is a struggling waitress held together by a thin layer of cigarette smoke. His brother is a jobless dropout who just knocked someone up. His grandmother is slowly losing herself to Alzheimer’s. And Henry is still dealing with the grief of his boyfriend’s suicide last year. Wiping the slate clean sounds like a pretty good choice to him. But Henry is a scientist first, and facing the question thoroughly and logically, he begins to look for pros and cons: in the bully who is his perpetual one-night stand, in the best friend who betrayed him, in the brilliant and mysterious boy who walked into the wrong class. Weighing the pain and the joy that surrounds him, Henry is left with the ultimate choice: push the button and save the planet and everyone on it…or let the world—and his pain—be destroyed forever.
Before there was such a thing as “California,” there were the People and the Land. Manifest Destiny, the Gold Rush, and settler colonial society drew maps, displaced Indigenous People, and reshaped the land, but they did not make California. Rather, the lives and legacies of the people native to the land shaped the creation of California. We Are the Land is the first and most comprehensive text of its kind, centering the long history of California around the lives and legacies of the Indigenous people who shaped it. Beginning with the ethnogenesis of California Indians, We Are the Land recounts the centrality of the Native presence from before European colonization through statehood—paying particularly close attention to the persistence and activism of California Indians in the late twentieth and early twenty-first centuries. The book deftly contextualizes the first encounters with Europeans, Spanish missions, Mexican secularization, the devastation of the Gold Rush and statehood, genocide, efforts to reclaim land, and the organization and activism for sovereignty that built today’s casino economy. A text designed to fill the glaring need for an accessible overview of California Indian history, We Are the Land will be a core resource in a variety of classroom settings, as well as for casual readers and policymakers interested in a history that centers the native experience.
We Are Still Here contains an eclectic mix of stories and fairy tales in which readers encounter ghosts, UPS drivers, Lizzie Borden, and goblins. Battling domestic intruders, climate change and the dark places within themselves, the characters in these stories cling desperately to their homes, their sanity, and the strange landscapes they inhabit.