Publisher: Routledge
ISBN: 1317762436
Size: 70.11 MB
Format: PDF
Category : Social Science
Languages : en
Pages : 282
View: 7123
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
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First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Explores the life and art of the ethnographic film maker, John Marshall. Included is an autobiographical essay in which Marshall assesses his 40-year involvement with the San peoples of South Africa, and his films, from the 1957 award-winning "The Hunters" to his work in progress, "Death by Myth".
"The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with filmmakers devoted to documenting places and events that most of us never get to see--often, places and events that have considerable influence on our lives. The 27 interviews offer an engaging panorama of the recent history and geography of cinema devoted to documenting the world around us, as well as an in-depth look at the challenges and accomplishments of filmmakers willing to go anywhere on the planet (or on the internet!) to document what they believe we need to see"--
Ethnographic Film, which combines documentary filming and anthropological research, originated in the late 19th century. Early on, anthropologists used film to record cultures. Documentary filmmakers in the early 20th century developed different strategies, with technical developments aiding further advances. In the 1950s to 1970s, intense debates among anthropologists, filmmakers and artists, many of whom met regularly at conferences and festivals, took place on the methodology of ethnographic filmmaking. Their discussions were handed on by word of mouth, but rarely recorded or published. In 2001, the pioneers of ethnographic film met in Gottingen and put together their recollections of the genre's Origins, thus giving an unusual insight into the development of ethnographic film.
The most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is one of the most original, as well as controversial, filmmakers of the last half century. This is the first volume of essays dedicated to his work - a corpus of aesthetically arresting films which includes the classic Dead Birds (1963), a lyric depiction of ritual warfare among the Dugum Dani, in the Highlands of New Guinea; Rivers of Sand (1974), a provocative portrayal of relations between the sexes among the Hamar, in southwestern Ethiopia; and Forest of Bliss (1986), a sublime city symphony about death and life in Benares, India. Eminent anthropologists, philosophers, film theorists, and fellow artists assess the innovations of Gardner's films as well as the controversies they have spawned. Contributors:Ilisa BarbashMarcus BanksStanley CavellRoderick CooverElizabeth EdwardsAnna GrimshawKarl G. HeiderPaul HenleySusan HoweDavid MacDougallDusan MakavejevÁkos ÖstörWilliam RothmanSean ScullyLucien TaylorCharles Warren
American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.
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