Cinema Of John Marshall

Cinema of John Marshall PDF
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Author: Jay Ruby
Publisher: Routledge
ISBN: 1317762436
Size: 37.64 MB
Format: PDF, ePub, Docs
Category : Social Science
Languages : en
Pages : 282
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First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.


The Cinema Of John Marshall

The Cinema of John Marshall PDF
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Author: John Marshall
Publisher: Psychology Press
ISBN: 9783718605576
Size: 40.17 MB
Format: PDF
Category : Social Science
Languages : en
Pages : 282
View: 4259

Explores the life and art of the ethnographic film maker, John Marshall. Included is an autobiographical essay in which Marshall assesses his 40-year involvement with the San peoples of South Africa, and his films, from the 1957 award-winning "The Hunters" to his work in progress, "Death by Myth".


Roger Sandall S Films And Contemporary Anthropology

Roger Sandall s Films and Contemporary Anthropology PDF
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Author: Lorraine Mortimer
Publisher: Indiana University Press
ISBN: 0253043956
Size: 14.89 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 352
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In Roger Sandall’s Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall’s films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall’s aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.


Memories Of The Origins Of Ethnographic Film

Memories of the Origins of Ethnographic Film PDF
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Author: Beate Engelbrecht
Publisher: Peter Lang Publishing
ISBN:
Size: 11.59 MB
Format: PDF, Mobi
Category : Social Science
Languages : en
Pages : 504
View: 1927

Ethnographic Film, which combines documentary filming and anthropological research, originated in the late 19th century. Early on, anthropologists used film to record cultures. Documentary filmmakers in the early 20th century developed different strategies, with technical developments aiding further advances. In the 1950s to 1970s, intense debates among anthropologists, filmmakers and artists, many of whom met regularly at conferences and festivals, took place on the methodology of ethnographic filmmaking. Their discussions were handed on by word of mouth, but rarely recorded or published. In 2001, the pioneers of ethnographic film met in Gottingen and put together their recollections of the genre's Origins, thus giving an unusual insight into the development of ethnographic film.


American Ethnographic Film And Personal Documentary

American Ethnographic Film and Personal Documentary PDF
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Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 0520275624
Size: 13.74 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 415
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American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.


Jahresbibliographie Massenkommunikation

Jahresbibliographie Massenkommunikation PDF
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Author:
Publisher:
ISBN:
Size: 46.91 MB
Format: PDF, ePub, Docs
Category : Mass media
Languages : de
Pages :
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The Cinema Anti Hero

The Cinema Anti hero PDF
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Author: Daniel Marshall
Publisher: Athena PressPub Company
ISBN:
Size: 48.91 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 65
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He's the stranger in town, the man with no name, the twisted genius, the unshaven gunman with a penchant for rough whiskey and women; he's the anti-hero, and this book tells about him and why we identify with him. This excellent overview of the genre also offers us psychological and aesthetic rationales behind the anti-hero's emergence, citing German Expressionism and the 1930s' Depression. The author includes related themes such as Film Noir, the Western and the Femme Fatale in modern cinema. Carefully referenced and full of insightful observations, this is a rich resource for film buffs everywhere.


Intelligence Work

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Author: Associate Professor of Film and Digital Media Jonathan Kahana
Publisher:
ISBN:
Size: 65.21 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 436
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"Argues that the use of documentary film by intellectuals, activists, government agencies, and community groups constitutes a national-public form of culture, one that challenges traditional oppositions between official and vernacular speech, between high art and popular culture, and between academic knowledge and common sense. The author demonstrates how documentary collects and delivers the evidence of the American experience to the public sphere, where it lends force to political movements and gives substance to the social imaginary."--Résumé de l'éditeur.


African Experiences Of Cinema

African Experiences of Cinema PDF
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Author: British Film Institute. African & Caribbean Unit
Publisher: British Film Institute
ISBN:
Size: 58.51 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 276
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Appropriating Images

Appropriating Images PDF
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Author: Keyan G. Tomaselli
Publisher: Left Coast Press
ISBN:
Size: 62.65 MB
Format: PDF, ePub, Docs
Category : Social Science
Languages : en
Pages : 332
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Using a large number of filmic examples, Keyan Tomaselli forcefully underlines the relevance of a semiotic approach to visual representations.