Contemporary Film Theory

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Author: Antony Easthope
Publisher: Routledge
ISBN: 1317895673
Size: 61.83 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 228
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During the twentieth century, the medium of film has developed as a means of understanding the complexity of modern life. Since 1968, film theory has concentrated not so much on theme or content but on the deeper question of how the medium works on its viewer. Film theory has been profoundly influenced by the writings of such modern thinkers as Saussure, Freud, Lacan, Anthusser, Derrida and Kristeva. It combines modes of textual analysis relating to linguistics and semiology, a Marxist reading of ideology, and theories of subjectivity, the spectator and gender redefined by psychoanalysis. This judicious selection from key work by Stephen Heath, Fredric Jameson, Laura Mulvey, Mary Ann Doanne and others, represents some of the most important contemporary writing about film. It provides a consistent and developing analysis that will be of interest to students concerned with film and film studies, as well as students of cultural, media and communication studies.

Film Theory Goes To The Movies

Film Theory Goes to the Movies PDF
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Author: Jim Collins
Publisher: Routledge
ISBN: 1135216452
Size: 55.62 MB
Format: PDF, ePub, Docs
Category : Social Science
Languages : en
Pages : 320
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Film Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as The Silence of the Lambs, Dances With Wolves, Terminator II, Pretty Woman, Truth or Dare, Mystery Train, and Jungle Fever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.

Lacan And Contemporary Film

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Author: Todd Mcgowan
Publisher: Other Press, LLC
ISBN: 1635421063
Size: 10.39 MB
Format: PDF, Mobi
Category : Psychology
Languages : en
Pages : 280
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This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.

What Is Film Theory

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Author: Rushton, Richard
Publisher: McGraw-Hill Education (UK)
ISBN: 0335234232
Size: 47.72 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 211
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'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..

Bertolt Brecht Cahiers Du Cin Ma And Contemporary Film Theory

Bertolt Brecht  Cahiers Du Cin  ma and Contemporary Film Theory PDF
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Author: George Lellis
Publisher: Ann Arbor, Mich. : UMI Research Press
Size: 39.30 MB
Format: PDF, ePub
Category : Cahiers du cinéma
Languages : en
Pages : 197
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Mystifying Movies

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Author: Noël Carroll
ISBN: 9780231059558
Size: 33.20 MB
Format: PDF, Mobi
Category : Film criticism
Languages : en
Pages : 262
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Theory Of The Image

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Author: Ann Kibbey
Publisher: Indiana University Press
ISBN: 9780253217462
Size: 24.86 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 240
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A refreshing critique that offers a new paradigm for film studies.

Film Studies In China

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Author: Contemporary Cinema
Publisher: Intellect Books
ISBN: 1783208287
Size: 43.95 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : en
Pages : 155
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Film Studies in China is a collection of specially selected articles chosen from issues of the Contemporary Cinema journal published throughout the year. Contemporary Cinema is one of the most prestigious academic film studies journals in China. Recently, this journal has been active not only in publishing Chinese scholarship for Chinese readers but also in reaching out to academia across the globe. Film Studies in China collates the best scholarship published throughout the year in Contemporary Cinema and translates it for an English speaking readership in order to create a cross-cultural academic conversation on the fields of Chinese cinema and media studies.

Filmtheorie Zur Einf Hrung

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Author: Thomas Elsaesser
Publisher: Junius Verlag
ISBN: 396060100X
Size: 18.81 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : de
Pages : 270
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Die Filmtheorien, die seit der Entstehung des Kinos am Ende des 19. Jahrhunderts entwickelt wurden, lassen sich als eine Reihe von Metaphern, Konzepten und Begriffsfeldern verstehen, die sich auf den Körper des Zuschauers und dessen taktile, epistemologische, sensomotorische und perzeptuelle Oberflächen und Wahrnehmungsarten beziehen. Für die klassische Filmtheorie (etwa seit 1945) lassen sich sieben Entwicklungsstufen ausmachen, die in dieser Einführung entfaltet werden und denen die jeweils dominante Form des Kinos der betreffenden Epoche entspricht. Neben dem historisch-analytischen Überblick über die entscheidenden theoretischen Positionen schließt dieser Einführungsband also auch eine Re-Klassifikation der Filmgeschichte seit 1945 anhand des Körpers des Zuschauers ein.

Genre Trouble And Extreme Cinema

Genre Trouble and Extreme Cinema PDF
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Author: Troy Bordun
Publisher: Springer
ISBN: 3319658948
Size: 79.80 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 244
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This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.